Flemish painter (b. 1570, Mechlin, d. 1628, Bruxelles) He initially painted using the style of Gillis van Coninxloo, but after 1610 gradually developed a style of his own. This style can be seen in paintings such as The feast of the Ommegang (Museo del Prado, Madrid) and Procession to Mary at the Zavel in Brussels (Victoria and Albert Museum, London). At the beginning of the 17th century, in either 1600 or 1606, his career rose when he served as court painter to Albert and Isabella. Hendrick de Clerck painted sometimes the people in his works. Van Alsloot's work can be regarded as a precursor to modern Landscape art.  Related Paintings of ALSLOOT, Denis van :. | Nature morte | Evening Colors on the Lake | Girl Reading | The Birth of Venus | Naked Woman Before Salamander Stove |
Related Artists:
NC Wyeth
American Golden Age Illustrator, 1882-1945 1882-1945,was an American artist and illustrator. He was the star pupil of the artist Howard Pyle, and became one of America's greatest illustrators. During his lifetime, Wyeth created over 3,000 paintings and illustrated 112 books,25 of them for Scribner's, the work for which he is best known. Wyeth was a realist painter just as the camera and photography began to compete with his craft. Sometimes seen as melodramatic, his illustrations were designed to be understood quickly Wyeth who was both a painter and an illustrator, understood the difference, and said in 1908,
Philippe Jacques
1740-1812
John Brett
John Brett (1831-1902) was an artist associated with the Pre-Raphaelite movement (although is not considered to be a Pre-Raphaelite painter himself), mainly notable for his highly detailed landscapes. Brett was born near Reigate on 8 December 1831, the son of an army vet. In 1851 he began lessons in art with James Duffield Harding, a landscape painter. He also studied with Richard Redgrave. In 1853 he entered the Royal Academy schools, but was more interested in the ideas of John Ruskin and William Holman Hunt, whom he met through his friend the poet Coventry Patmore. Inspired by Hunt's ideal of scientific landscape painting Brett visited Switzerland, where he worked on topographical landscapes and came under the further influence of John William Inchbold.